A review of the booking slate, rehearsal requests and sound checks finds a gap between the total in the public summary and the conditions recorded at the public stage at Underway Hall. The difference does not prove that anyone misstated the file. It shows what the public count leaves out: a new sound screen changes the return heard from the last bench.
The the booking slate, rehearsal requests and sound checks lists 33 public nights with a rehearsal interval confirmed; the previous window lists 29. Rook Moss checked both against household copies and route logs checked against the public board. The source was checked against a second copy held by Rook Moss. No dated correction to either copy was present when the comparison closed.
The hall rotates public nights equally. Performers ask for the same rehearsal interval after a sound screen moves. The office has not supplied a separate measure that would settle the disagreement, so the two explanations remain competing accounts.
This report supports a narrower finding: the count is repeatable, but it is not enough to decide how groups share the stage when a change in the room alters the sound check.
Asecond reader compares each mark with the location on the wall. The Year second, first seep window 1 file remains open for its scheduled decision. The coordinator will add a sound check to the booking record for one rotation.
