At the public stage at Underway Hall, Rook Moss puts the booking slate, rehearsal requests and sound checks beside a new sound screen changes the return heard from the last bench. The detail is easy to miss in a summary, but it determines whether a posted rule describes the place people actually use.
Rook Moss is the hall stage coordinator. On this store season visit, the work begins with a dated entry and ends with a second check from someone who did not make the first one.
The the booking slate, rehearsal requests and sound checks lists 63 public nights with a rehearsal interval confirmed; the previous window lists 66. Niri Flint checked both against paired readings from the source and the last occupied branch. The number is one part of a larger handoff between the office, the people who use the service and the staff expected to maintain it.
The hall rotates public nights equally. Performers ask for the same rehearsal interval after a sound screen moves. Residents and workers have asked the clerk to keep their accounts beside the source count rather than turn them into a single average.
Residents and route crews submit corrections before the public table closes. The Year third, store season window 3 file remains open for its scheduled decision. The coordinator will add a sound check to the booking record for one rotation.
